Wunder der Schöpfung is an extraordinary, fascinating Kulturf ilm trying to explain the whole human knowledge of the 1920s about the world and th e universe . 15 special effects experts and 9 cameramen were involved in the production of this film wh ich c ombines docume ntary scenes, historical doc umen ts, fiction elements, anim ation scenes and educationa l impact. It its b eautifully colored, using tintin g and toning i n a very elaborated way. Some visual ideas in the sequences with a space shuttl e visiti ng different planets in the universe seem to have to be the insp iration for Stanley Kubrick's 2001 A Space Odyssey. In the c ontext of Germany's Kulturf ilm p henome non, Wunder der Schöpfung wa s among the great est achievements of the 1920s . The productio n was constructed, rehearsed, and shot over a period of two and a half years, under the sup ervision of Hanns Walter Kornblum. The ide a to describe th e universe and man's plac e in it we ll suited UFA's Grossfilm mentality, one year before the Metropo lis catas trophe. Hun dreds of ski lled craftsmen partic ipated in the project , buil ding props and constructing scal e models drawn by 15 special effects dr aughtsmen, while 9 cameramen in sepa rate units wor ked on t he historical, documentary, f iction, anim ation, and science-fiction sequences. Without star roles or even protagonists, the film 's plot is c rowded with meticulousl y st ructured and skillfull y acted single scene s an artful mos aic of s mall vignettes. No less than four cre dited university professors ensured the factual background b ehind the scie ntifi c and historical events por trayed. The fil m's symbol of progress and the ne w scien tific era is a spacec raft, travelli ng thr ough the Milky Way, making all the planets and the ir inspiring worl ds fa miliar to us, wi th the extravaganza of thei r distinctive f eatures. The film's educati onal intentio ns, however, become steadily more obscure, humorous, or even campy a s thi s popul arization p roject proceeds. With the excuse of pr esenting t he end of the world a not-so-ne w concept as a new, undeniably scientifi c truth, the film veers happily along a new path, disp laying d etailed apocalyptic scenes of the end of mankind. F or today's audiences, this amazin g film demon strat es how the universe was comprehe nded in the 1920s, and how t hat view was sold to contempora ry audiences .
精彩剧情/对白：“若是当初死 去的冶金门人在背后捣鬼，那就 真的是不知道该什么好了，冶金门后 来一直想要和其他门派一样 ，并没有再 使用邪术，但是各大门 派可并不认可他们 ，难保是 哪个心里极赌 ，接受不了，倒 是真去做这个歪门邪道了，倒 是....”
“这个事情，我也不知道怎么回事，那位阿意姐以前的确是那样的 啊，为了我们的事情，甚至 阴府的事情都不管，她的两个阿弟也不管。可是这次也不知道为什么，开始她还是一副想要答应的样，我才会那么多 的，谁知道后来她就直接 翻脸了。”
“眼下我们酒楼 自己做的事情呢，就 是将用了这两种香料的菜，在上桌之前，将 香料都已经挑了出来，这 样就不会让人 看到这香料真 正的样子了，想 要知道到底是什么东西，只能通过味 觉去判断，看看自己到底是吃到什么味
“秦盛天三番五次企图插手我的事 情，甚至想要利用一些手段逼我和陆慎离婚，我 看在父女一场的面子上，尚且能忍一忍，但是陆慎忍受不了别人插手他的婚姻，所以自己找到了秦氏 要投标双子塔的消息，让陆氏抢走了这个项
“而且，你只是想要见见你 哥哥吗？你哥哥有多不同 意你和慕煜行在一 起，你应该知道吧 ？要是你 是想确认你哥的安全，并没 有要离开慕煜行的意思，被你哥哥知 道了，他的病情恐怕还要 加重了。所以你现在安全有效的办法，就是和我结婚。我 可以帮你从这里出去，帮 你见到你哥哥，还能帮你哥哥打消心结。”
